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Jul. 6th, 2008 @ 05:36 pm Follow-up - because I know you were dying to find out.
And, in fact, dextrose + lite salt + dehydrated lemon juice = WIN. Dissolves in a cup of water with about two stirs, and the acidity is exactly the right touch to make sense of the sweetness and the salt.

Will obtain dehydrated orange juice crystals as well, and work out proportions to be right for 500 ml/16 oz water bottles.

(The thing is, *I* might be entirely willing to shake/stir until my organic sugar crystals were entirely dissolved, but if the standard I'm using is "I want to be able to hand this to someone and say, 'Put this in your water; you're getting dehydrated and it'll help. It's sort of like Gatorade in a packet,'" then it really has to be *easy*. People will do things that are easy/simple with only mild persuasion. People won't do things that are complicated or difficult and are not part of their expectations, even with extensive persuasion and arm-twisting. That's just how it is. I watch myself calling my senators in response to activism e-mails that give me their numbers, and really meaning to but never quite getting around to it in response to e-mails that don't, and don't need to look any further.)

That gets sodium, potassium, sugar, water, and a bit of ascorbic acid into people. There are some other electrolytes which might be good, but that'll do. And it's easy to use, easy to make, easy to store (there's a reason I've been insisting on all-dry ingredients), and inexpensive. And reasonably inoffensive to the tastebuds.


Oh! Question! For anyone who bothered to read this and might know about diabetic precautions:

Sometimes, I know, diabetics need sugars fast. Although there are many ways to accomplish this, there are a lot of products sold specifically for this purpose - tablets, small drinks, etc.. They are all (or all that I saw in the aisle of diabetic supplies at the CVS I was in today) glucose. 4mg glucose tablets. 15mg glucose drinks.

I remember being told that dextrose is good for this purpose because it is quickly absorbed, and so one need not buy the Specially Made and Priced For Diabetics tablets, one could just use Sweet-tarts. Can anyone tell me whether dextrose *can* be considered an equivalent resource to glucose, and if so, if one should apply equivalent standards of weight per dose? I thought I should have something in my everything-including-kitchen-sink-equivalent first aid kit, and I can buy a roll of the glucose tablets, but if Smarties will do just as well, I'd just as soon get those, and eat the leftovers myself.
Calluna4
Jul. 6th, 2008 @ 04:07 pm All my problems should be like this.
I have a problem.

It's...really not that big a problem, but I'm feeling it at the moment because I just got back from running a ton of errands.

My problem is, I did all this market research and picking and choosing and planning to put together a practical but very thorough first aid/emergency kit, and I did.

And now I still have all this knowledge and interest and investment, but, y'know, I really don't need more than one.

I'm still putting the finishing touches on my "shelter" bag: today I FINALLY got reasonable quantities at low prices of the nylon hair elastics that are preferable for a lot of African American hair styling, and a coloring book. (Already had the crayons, but needed a book with pages I could tear out.) And I'm still refining my home made oral rehydration recipe, and may have found an all-natural-ingredients DRY component to give it a lemon flavor, which I have high hopes for, along with my plans to try powdered dextrose instead of table sugar to get a faster dissolve. I still need lots of cheap small bottles of hand sanitizer, and I'm keeping my eye out for inexpensive individual packed vitamins, but you know, this is getting down to the niggling stuff. Mainly, I'm done, even with that, let alone with the real emergency kit. And it makes me restless.

I'm trying to think of practical ways to offer my services to create such bags for others. They're not cheap, because there are so many components, although if I were making more than one at a time I could split costs for some things - for instance, the eyewash bottles I got came in a four-pack, and a first aid kit really doesn't need more than one.

Instant bug-out kit: just add water comes WITH water, just add your own socks, underwear, passport, and cash.
Calluna4
Jul. 5th, 2008 @ 10:05 pm Flashbacks. Dissociation. Triggers and triggery-ness. Me.
One of the better publicized - that is, more frequently, not more accurately - forms of that huge cluster of experiences labeled "dissociation" is that of having flashbacks to a traumatic experience.

Other people have done a better job than I could writing about what flashbacks are really like, and in what ways they're not at all what a lot of novels and movies find it convenient to represent them as. One reason they're better than anything I could have written is because the people writing them did so very well. Another is because I don't have the experiences they're talking about.

Cut maybe for length but mostly for potential triggers, which is self-referential if not down-right recursive. )
Calluna4 + child
Jul. 5th, 2008 @ 04:25 pm I know this will be exciting news for all of you, but please try to speak one at a time.
Does anyone local - that is, in the Boston area or able to get to the Boston area - need any plastic or glass containers, or metal tins?

There's a site that has some things I want, but - it's sort of a ridiculous quandary - they have a surcharge for orders of under $50, and their prices are so good that I'd have to get goofy to come close, so I thought I'd at least ask if anyone had a strange urge to go in on an order with me.

I'm looking at small containers - jars, bottles, maybe tins - for salves and oils and ointments, but they also sell food-storage sizes.

The site is http://containerandpackaging.com if anyone is interested in browsing. I normally either buy in small quantities from local stores or the same places I get herbs and other supplies from, and once in a while from SKS packaging, but SKS has let me down this time. (A while ago, I bought something that was close to what I wanted, but not exactly, and I hate them. So I'm not making that mistake again if I can help it. I want half ounce bottles, with a specific kind of dispensing lid which I can trust not to pop open if tossed into a bag. Also a few other things, but that's what SKS is not giving me, or not at a price/quantity I can afford. They have some items which would do, but I could buy 12 at a time and pay close to $1 apiece, which is stupid, or a case of 144, which would also be stupid. SKS LOSE.)

I know it's unlikely, but let me know if you are interested?

(If you do browse, and if you're not used to this kind of site, I should point out that for most items, you have to buy the lids separately. If not, it will specifically say, "lid included." Generally, on the right side of the page for any given item, there are thumbnails and links for any caps or other accessories which will fit that particular item - it's quite nicely arranged, actually.)
Calluna4
Jul. 5th, 2008 @ 09:02 am Head, shoulders, knees, and toes all okay, but--
Thursday, as I was heading away from the office, I stepped down on my left foot, my ankle turned under me, and I was flat on the ground. I have no recollection of any intermediate stages. I assume that the gravelly, rutted path I was on presented an uneven surface in exactly the wrong way for my particular ankle.

There's a couple things about this. First, it's not the first time it's happened. In fact, almost exactly the same thing happened in a parkinglot in May. Julian was there, so maybe she can give her impression of whether it happened as fast as it seemed to, to me.

Me and ankles and falling down )
Calluna4
Jul. 3rd, 2008 @ 04:43 pm I'm torn.
A lot of the paintings by this artist are sentimental and pretty-pretty in a way I don't care for. And the descriptions are unbearably twee.

But even though it shares some of those qualities and all my defensive elitism is rolling its eyes, I'm stuck on this particular picture.

It's...it's....


I want it.

Unfortunately, I want it something like 9" x 12" or even a tad smaller, but all I could get (unless I want it on a ceramic tile, which I suppose *is* an option) is a large poster.

It's very peculiar. I live with almost entirely bare walls, these days. My first couple years of college, I did the poster art thing, like you do. Over the next several years, I switched more and more to things on the walls that weren't pictures - a bunch of lavender, a bundle of feathers, an amulet, a gift, a page on which I'd copied a few lines of a Chrystos poem and done a watercolor wash behind them.

It has probably been 17 years since I contemplated buying a poster.

I didn't get like this on purpose, it just happened.

Odd sensation.

Maybe the ceramic tile...


Or maybe in a week I'll look at it and think, "It's cute, sure, but what was I thinking?" It could happen.
Calluna4
Jul. 3rd, 2008 @ 12:57 pm When it's useful to be in the habit of writing fictive dialogue.
It will shock no one if I say that I tend to go on a bit. For instance - delicately leaving aside the matter of my posts - my e-mails tend to be long. Even when they're relatively short, they usually would have been even shorter if most other people had been writing them.

I like to use complete sentences. I like to imbue what I say with some personality. Most of all, I like to provide context. Quite often, it's context I think should be useful, but which recipients, since they're not expecting it, do not particularly desire.

(I like my way, obviously. I understand that not everyone does. On the one hand, I get cranky when I write careful, exquisitely composed things that I proof-read and re-wrote, and get 'yes' in response - without even punctuation. On the other hand, I don't have any idea that I'm In The Right and have a RIGHT to be cranky, and My E-mail Was Good And They Are Unappreciative Barbarians. I just, you know, get cranky. I get cranky when I can't get food that sounds good made vegetarian, too. I don't think I'm a bad person for feeling cranky, and I simultaneously don't feel that anyone has an obligation to give me what I want. What I'm trying to say here (lengthily, ha) is that it's possible to have emotional reaction without having a judgmental component to it. For some reason, this seems to be a really difficult thing to grasp a lot of the time, but maybe it's just difficult for me.)

Recently, I wrote a multi-paragraph e-mail to the proprietor of the e-store from which I not only bought my henna supplies, but where I got all the information about how to prepare and apply it. Great resource, vast amounts of information, and although I don't have a lot to compare it with, the products seem good and reasonably priced to me. So I wrote saying I had two questions but I also wanted to thank her for providing such great information, and tell her what good results I had had with the two purchases I'd made, and to thank her for advice she'd given me in a previous e-mail exchange, etc..

Yes, you know where this is going - and I suspect many of you are thinking about how much you hate longwinded e-mail, yourselves, and I won't argue.

Right. She never answered. Maybe she's just busy, but...probably not just busy.

So, today, I thought of a new question. It was clear that I was not going about things the right way.

So from my work e-mail address, I sent an e-mail with no salutation and no signature, which read, in its entirety,

Can you tell me how much hair you can treat with a $1 sample of cassia obovata? Thanks.

Response within the hour. One line response, but it answered the question.

I replied to her e-mail with - still no salutation or closing -

Oh, okay.

How much would you need to do like bra-length hair once? And how often should you do it, for conditioning effects?

Thanks.


Answer within 20 minutes.

I'm half exasperated about this, but wholly amused. I would prefer to write gracious, well-worded e-mails which include social niceties. But social niceties aren't nice if people don't like getting them. If she were a friend, we could wrangle it out, but this is a different relationship.

All in all, I'm just glad I write fiction with dialogue, and can produce a very different voice when it seems called for.


(The answer, by the way, if you're curious - Cassia obovata being "neutral henna," - was "300 - 400g would do for that length ........ the effect lasts a month or two.")
Calluna4
Jul. 3rd, 2008 @ 07:49 am What not to tell me about what I wear.
There's a TV show called What Not To Wear.

I don't have a functioning TV with reception - when I watch shows, it's in some recorded format, which gives me the unusual gift of being able to look at commercials and think, "How cleverly manipulative! They're using this and this! That was genuinely witty!" instead of "Oh, god, not that $(*&(Q$& commercial again, quick, where's the mute button, I can never find it on this thing."

I have not watched What Not To Wear in recorded format, however. I know about it because my supervisor loves it and has told me about it in excessive detail. She has described the two fashion agents of the show, the structure every show follows, the funny, pathetic scenes at the beginning of Kate (?) and Clinton dramatically throwing Every Single Garment the person owned into a big trash can, while the person wails and protests and clings to badly made, moth-eaten sweaters, and blouses with rhinestones glue-gunned onto them. She tells me how they demonstrate to the person what's wrong with every garment, always finding positive things to say about the person's body type and preferences, and how they cover every demographic in different shows. She tells m how every show, the person is then give $5000 and set loose in NYC to shop for a new wardrobe, and the camera follows them the first day as they are overwhelmed and bewildered and cannot cope or gravitate back to their rhinestone standbys, or whatever, and how Kate (?) and Clinton watch the films and comment on them despairingly, and then the next day take the person in hand and help them find a new wardrobe which flatters their bodies and suits their preferences and needs.

I have, in fact, after listening to all this and nodded and smiled a lot, eventually pointed out that if they're all this similar, they must be scripted/coached, and that it seems wildly unlikely that there are not some slightly different terms being cut off camera from what's being shown on. My supervisor has nodded knowingly, and then gone back to telling me how funny and touching this or that scene was.

I am currently possessed of a desire to sockpuppet myself several times over and write to the show telling them they should approach this Calluna V. person, just to A: see what they do with some of the limits *I* would set, since they're notable for how accommodating they are/can be while still improving a person's wardrobe and dressing sense a thousandfold, B: journal about the whole thing, C: Get $5000 to buy new clothes that I like.

I think that if they're trying to cover every demographic, then they *should* have an overeducated, fat, bisexual social worker-to-be who refuses to wear make-up, any clothing that restricts her freedom of movement, or any hair style she can't recreate for herself, who says, "Feel free to throw anything you like in your trash can in front of the camera, but items X, Y, and Z are coming home with me, off camera. I assume that you have accommodations for that kind of thing since most people would have some things they're not willing to get rid of," and "I'll act surprised, shocked, offended, embarrassed, or whatever you like, but I'm not going to wail and clutch at things. Have some sense. If I sign your contract, then I know what's coming and have agreed to it, so why would I then throw a tantrum about it when you do what I already knew you were going to do?"

And so forth.

I won't, of course. It's just a bitchy little fantasy.

It's fun to imagine, though.



ETA: The woman's name is Stacy. I couldn't imagine where I'd gotten "Kate" for a minute, and then, when I did, I had hysterics.
Venus Callipygos
Jul. 2nd, 2008 @ 10:58 pm Disjointed quote of the moment. Julian and I are both tired. Can you tell?
Tags:
Me (to the guppy tank): Están ustedes mi vaca?

Julian, in the other room, working on the hummus sandwich I split with her: No.

Me, with dignity: Hablava con los guppies.

Julian, coming into the kitchen: I have hummus on my nose.

Me: [kisses her nose, despite her having actually already taken care of the problem.]

Julian: Thank you.

Me: Le plaisir, c'etait a moi.

Julian (vaguely): What? Oh, good.

Me (apologetically) : I'm not up to waggling my eyebrows in Spanish yet, I'm afraid.

Julian: You did pretty well.

Me: That was French.

Julian: Oh. Right.
Calluna4
Jul. 2nd, 2008 @ 06:09 pm Boookkkkkkkss.
I've been asking on Linguaphiles for recommendations of websites with exercises that I can do which will help with writing/reading Spanish, since all the Spanish I've been learning has been spoken/audio.

But I've had another thought.

I have a pretty good dictionary for a portable one.

And I've found Tiempos Interesantes for sale in the US on ABE books.

I was considering ERIC: Una Novela de Mundodisco, but the shipping from Spain is prohibitive.

One of the 3 witches books, Tiffany Aching books, or Vimes books, or else Small Gods would be even better, when it comes to books where, if I can't read the sentence, I can guess what it says even before I reach for my dictionary.

I shall continue looking. The Hobbit would be good, and so would any of the Peter Wimsey novels. And it is flatly impossible that I should not be able to find Harry Potter in Spanish.

I like this plan. I like it because it focus my attention on reading skills and vocabulary, and I also like it because one children's book will take me weeks and weeks to read, if I can make it at all. I won't just be looking up vocabulary, either - I'll be looking up grammatical constructs, too.

This could be fun.

I shall start small, considering that one book may well be a surfeit.

Sooner or later, I'm going to have to take the plunge and start talking to people who talk in Spanish. That's a terrifying prospect.

Maybe Beatrix Potter or Maurice Sendak...



ETA: MUST HAVE: Alexander y el dia terrible, horrible, espantoso, horroroso
Calluna4
Jun. 30th, 2008 @ 10:16 pm You'll never guess what I did then.
This evening, on my way home, sitting on the bus and using my eee, I did the strangest thing.

I wrote.

I mean, fiction.

I wrote a beginning for this thing I've been muttering about for years, it seems like.

I only got half of the first scene written, and I suspect that almost all of it will have to be completely rewritten once I know what I'm doing with this story, assuming that this doesn't turn out to be one of my 1/5th-of-a-novel specials - and that's a damned optimistic assumption. (It'll want rewriting because there's story-telling involved, and right now I'm just making it up, but if all goes well, it should be full of non-simplistic, chewy foreshadowing* and stuff.)

Still. I'm pleased.


However, I do need to vent here: OH MY GOD. Now I know why I write slipstream, or what I am calling slipstream until someone tells me to call it something else. This business of writing about people in a reality for whom nothing remotely like my daily reality exists is hamstringing in its limitations. Every other phrase, I get pulled up short, wondering, "Is that too idiomatic? Does that sound like 21st century USian? Should my characters sound different?" For the first time in my life I have the slightest understanding - if not, I'm afraid, compassion - for fantasyists who use pseudo-medieval language: it's a way of saying "This Is Not Here And Now." But heaven knows, I don't want to go that route - not only because it's usually bad, but because it wouldn't fit my story in the slightest. And I want to communicate alien-ness, yes, but I also don't want the point of the story to be how alien everything is. (Besides, stories where the point is how alien everything is inevitably actually being about how non-alien it really is, when you see it properly, and that's not the story I'm writing, either.) This whole thing is making me second-guess myself like mad.

It's probably good for me.


It is, in any case, even if nothing comes of it - nothing being the most likely thing to come of it - pleasant to be writing something again.

I went back to my Spanish audiobook again today, after a two-three month hiatus, too, and that's also good. And I've started making shiny things again. Apparently some 3-month something has begun to end. I'm certainly glad of it. The story may or not make it very far, but I'm bound and determined that the Spanish will. As for the jewelry--we'll see. It pleases me - and Julian - which is the first thing.





* Your key to quality literature.
CV Stamp
Jun. 30th, 2008 @ 11:54 am Does this make any sense at all?
I am, by default, suspicious and cynical about anything to do with the interventions used by hospitals (in the US) in labor and delivery. I know that some of this is justified, and I'm pretty sure some of it isn't. And at least I do know that my knee-jerk negative reaction is based on reality and yet not always warranted.

And I also know that there are a great many women who would not be alive, or whose babies would never have lived, or never have lived as well as they do, without full hospital-level intervention. I want to be really clear that I understand that, and that any time anyone tells me that they've made the decision, or have accepted advice, to have baby in a hospital, then I believe that they have made the right choice. Seriously, it's that simple. Because I don't know a single parent-to-be who would make a decision like that without getting a lot of advice and figuring out the best answer. I haven't done all that research, I don't know all the factors, and the mother's confidence that they're doing the best thing is crucial, and I ain't arguing. Not then, not later.

So when I talk about my being suspicious about hospitals, I'm not challenging anyone's past, present, or future considered decisions.

On the other hand, I think hospital health care leaves a lot to be desired, and the pathologization of women's bodies and the birth process is very clear and quite appalling a lot of the time.

Here's the latest thing. It hit two of my buttons. My supervisor's daughter had a baby last night. For a few hours, while she was in labor, they had her on IV antibiotics. This was apparently entirely planned and routine - the daughter knew that it would be happening weeks or months in advance. The explanation relayed to me from the proud grandmother is that there has been a "recent discovery" of bacteria in the birth-canal which can be passed to the baby during birth.

Okay, I've got knee-jerk negative reactions to medicalized interventions in the birth process when I haven't been clearly convinced of the need, and second, I'm vehement in my feeling that the overuse of antibiotics by our health industry is next thing to criminal, and that systemic antibiotics, let alone IV ones, are only necessary - and then they are truly very necessary - when there's a systemic infection, or one which cannot be reached (e.g., cellulitis). So this just has me on the edge of fits, since it sounds to me like a few passes with a nontoxic antiseptic in the birth-canal would probably achieve the same effect or better.

So, before I go off the deep end, does anyone who knows more about this stuff than I do want to tell me that I'm being prejudiced and reactionary and unnecessarily suspicious, and why?
Calluna4
Jun. 29th, 2008 @ 05:03 pm The faint whiff of electronic mortality.
I've been talking about possibly needing a new computer off and on, casually, for a while now.

My computer's biggest problem is not any kind of progressive illness. It's just that it has too little RAM (and the necessary hardware for updating it is no longer for sale) while most applications - including some web applications, apparently - are using more and more. So my computer isn't getting worse on that front, it's just holding still while the rest of the world jogs past it.

However, there are other hints of impending trouble. For instance, last night, it suddenly started slipping among its fonts, so that I'd be typing with my American English keyboard, and suddenly look up to discover that between one moment and the next, I'd switched to hiragana, and half of my last sentence I'd typed had already been converted to nonsense kanji by my helpful font applications. So just now I saved everything, closed everything, and restarted the computer, thinking that this would at least buy some time.

Unfortunately, the computer booted up with the Spanish font set on.

*Sigh.*

Last time it died, the problems were resolved by my wiping the hard drive and reinstalling everything. I wasn't thrilled, but it was a lot better than an expensive repair or a new computer.

Possibly this will be the same. However, given the RAM problem, sooner or later, I'm going to need to move on.

If I could find an external CD drive that was compatible with my eee, I could go for quite a while with just that, if necessary. In fact, if I have access to other computers, I can put everything on CD onto flash drives, and plug those right in, but in the long run, I want a desktop computer - I like having a screen up at my face height, with a keyboard down at a convenient level for my hands. Besides, I haven't yet found applications that work on it to substitute for all the things I use my desktop for - notably music and graphics, though I suppose that would just be an incentive to get more into linux geekery, which could only be a good thing.

Still.

Does anyone know of any reason to be cautious in considering the mac minis? If I can get a used monitor for cheap - I already have keyboard and mouse I can use, so that would be the cost effective way to go, unless there's some ceiling to its function which would have an effect on me.

Grah.
technology
Jun. 28th, 2008 @ 10:06 pm Bidding on a dollar, elaborated
(Why did my computer just switch me to hiragana without my asking it to?)

Even though only two people have answered my question so far, which may have something to do with it being Saturday night, I am not ready to go to bed, cannot take any more audio stimulation this evening, cannot focus on a book, and have hit "refresh" on my flist quite often enough, so I'm going to explain the bidding on a dollar thing, for anyone unfamiliar with the concept. I find it fascinating, good metaphor-mining material, and one of those all 'round telling sorts of phenomena. It's possible that I consider it a little more powerfully so than most because I was introduced to it at the age of 14 by being put in the situation for real. It works as a thought experiment, especially for adults, but when you're 14, it takes personal experience to really bring the implications home. Well, experience followed by discussion.

What the hell I'm talking about. )
Calluna4
Jun. 28th, 2008 @ 08:35 pm A bit random. It comes of watching items on e-bay sail past my limit.
Are people familiar with the concept of bidding on a dollar?

If so, when and how were you introduced to it?
Curiosity
Jun. 28th, 2008 @ 02:48 pm ALBUM INSERT. Say it with me.
I care about words, and although I can enjoy hearing music that I can't understand the words to - whether because I can't make them out (and yes, I'm one of the people who enliven groups with misunderstood lyrics) or because they're in a language I don't know - sooner or later with most songs that I like, I want to know the words.

This is partly because I like to sing. Generally, once a song gets into my head, I want to take a stab at singing it for myself, and while I can last for a while mumbling or humming the bits I don't know, I'd really rather know the whole damned thing.

If its music I have the CD (or, god help me, the cassette) for, then there's usually no problem. But lots of songs arrive in my head without my having purchased the album. And in those cases, I go looking online - land of informational opportunity! - for the lyrics. And for most things, I can find them.

What I didn't realize until quite recently (because usually I didn't look past the first site I found that A: did have the lyrics and B: didn't have soft-core porn ads in the margins) is that almost invariably, there are at least four different versions of the words out there, many of them showing the unmistakable sign of someone transcribing what they think they heard.

I completely do not understand this.

A lot of the time, we're talking about very mainstream music which I've heard on the radio somewhere and now want to find for real, things which either currently are or, more likely, a few years ago were huge hits.

Most recent example: Destiny's Child's "Independent Woman (part one)".

This is not obscure, okay?

Why in the name of heaven is anyone who doesn't have the album insert with the official version posting the lyrics? There are hundreds of thousands of fans out there who *DO* have the album inserts. Why aren't they the ones posting?

This is maddening, yo.

And, yeah, I know. Sometimes what's written on the insert doesn't match what actually got sung, especially in a recording of a live performance, but not always. My most cynical example of this is in Jill Sobule's "I Kissed a Girl" - which I flat-out love and HAVE JUST NOW REALIZED I DON'T OWN WHAT IS UP WITH THAT? - but if you look at the printed lyrics, the line reads, "You looked at me, there was guilt in your eyes / but that only lasted a little while / and then I felt your hand upon my knee." If you listen - Jill Sobule, slightly baby-ish voice not withstanding, enunciates clearly - what she *sings* is, "and then I felt your hand above my knee." (Emphasis mine, bien sûr.)

So I know that for any of a dozen reasons, the album insert doesn't always reflect the recorded version with 100% accuracy, but it's still better than, for instance, "who Would I want if I would wanna live" in place of "do what I want, live how I want to live."
Music - O'Keefe
Jun. 28th, 2008 @ 01:55 am I like the color of my hair.
I do. I like the color of my hair very much. It's brown, and not an especially light brown, but it's full of bronze highlights, and I feel no apology for vanity in liking my hair since I have such a struggle to like mot of the rest of myself.

So it's not that I want to dye it all to be a different color.

I just think a few locks showing forest/lakeweed* green when the light hit them right would add richness and variation to the whole.



* Not the bright green duckweed - I mean the long hair/beard algae that mermaids use to drown freshwater sailors. Okay, forest. Just go with forest. A nice older forest with a lot of oaks, ashes, and beeches, and conifers at the edges.
Venus Callipygos
Jun. 26th, 2008 @ 02:48 pm Following up on the pronunciation guide question.
The story that has been swirling around in my head for more than a year and not settling down - which therefore stands a good chance of never seeing paper at all, making this entire discussion moot - is insisting on a naming convention which alternately bemuses and baffles me. That is, I like it when it's in my head, but I'm not 100% sure I think it's worth the trouble.

Habitually, I default - in making up fantasy names - to two-syllable names which are transparent in pronunciation, and hopefully do not sound like English names to which I have simply changed one or two letters. Apparently I am currently in rebellion against this two-syllable trend.

As it's emerging, people's names (as opposed to, say, place names) are five or six syllables long, with a lot of assonance and/or consonance holding them together.

I wouldn't need to explain that; if it's not something the reader notices, then it's not important to that reader.

What it means, though, is that if I want people to hear that in the names, they need to be pronouncing them roughly the way I intended them.

The big issue is dipthongs, which my new language apparently does not have. So while it's clear that a name like "Alalanala" is a five-syllable word filled with both assonance and consonance without having specifically rhyming qualities, it is less clear that "Omoecheo" is also a five-syllable name with lots of assonance, unless the reader is clear that the vowels don't blur into each other.

(Generally, the characters refer to each other by shortened versions of the name which are unlike most English nicknames in that they are often two non-consecutive syllables, though not always. The first of my two examples might be called "Nala," "Lala" or "Alna," the second probably "Omche or Oche." Names are nonsense words, the syllables usually derived from syllables of one or more of the person's parents. The nicknames can vary over time, by speaker, or by role. I A: have no intention of *saying* any of this in the story - it's just what will be there, and B: don't expect the reader to be able to deduce rules for how names or nicknames are created because they are impressionistic and creative efforts on the part of the other people in the story, and therefore to some degree unpredictable. A reader who tries to deduce the rules will either come up with an incorrect theory, or get frustrated, or possibly conclude that the fact that it makes sense to the characters but doesn't make sense to them is evidence of different cultures.)

I'd *like* to be able to also use double vowels in a Japanese kind of way - each vowel or consonant/consonant cluster + single vowel is a syllable, with no glottal stop between them, so Taam is pronounced like "Tam" but with the "a" sound lasting twice as long. However, I think this would just be off-putting for English-speaking readers. I'd also sort of like to use glottal stops, because, hell, people do - even English speakers do, in speech if not in writing. (I pronounce "writing" with an alveolar 't', but if I'm in a hurry or speaking casually, I say "written" as "wri'en." And I'm *not* the only one.) But I think it will be a good 100 years before fantasy writing can tolerate any more orthographic use of apostrophes, so I'm just skipping on that.

So. Some of you said you'd just prefer names to be written straight-forwardly, that you were tired of weird (or Welsh) fantasy names, and others said that it would depend on whether it really mattered whether the names were pronounced pretty much the way I had in mind.

What do you think? Does making it clear that the names all have similar cadences seem important enough to warrant an explanation? Is the lack of dipthongs something that doesn't need explanation, or, alternatively, something far enough from English just to be annoying?

This question is highly theoretical, since I have no idea how far I'll ever get, writing this thing, but it's the first time these issues have really come up for me. In "Seeing Things," there was a made-up language, but my first person narrator was an outsider, so the narration included descriptions of her process of learning it. In this thing, if it's even concrete enough to be a thing, there are no outsiders, which is one of the tricky parts. I think part of the interest for me is seeing whether I can represent a group of people who are in many ways very alien to any human culture I know of in such a way that a reader can feel like s/he gets it, without any outsiders (no Doctors' Companions) in the story to provide a conduit for explanations.
CV Stamp
Jun. 26th, 2008 @ 07:43 am I shouldn't feel as cheerful about this as I do.
I overslept and probably am going to be more than an hour late.

BUT--

I found my iPod.
Calluna4
Jun. 25th, 2008 @ 10:43 pm Iff of the Unpronounceable Name
If you're reading a fantasy novel in which characters have names which do not much resemble any real language's names, would you prefer to have a brief preface* in which rules of pronunciation were given, or would you rather just be left alone to come up with your own pronunciations - or maybe not, if you're not very aural in your reading - and be damned to what the author may have had in mind?


* Brief. As in, maybe three sentences and two or three examples.
Curiosity